28 years old and an EP that speaks to women, she is Cristina Lizzul - the Italian-American R&B/Hip Hop/Trapsoul singer-songwriter - with her new project «American Femmena».
An EP entirely sung in both English and Neapolitan in tribute to both her lands, America, where she was born, and Naples, where she grew up. Today, she lives both in America and Naples.
In «American Femmena» Cristina Lizzul tells about herself, the abuses suffered, the pain faced and overcome, her art comes out like the impetus of an underground poetess - direct, sincere - in which melancholy and passion merge.
That's how the first single «Ragazza Facile» was born: «If this is called love/Then I would not confuse it/It's always the same note/It beats and sounds in parts of me/They go into overdose/Thorns with roses/In your dead eyes/I see all the faces/I see that you hide/That you/That in fact you don't see me, see me, see me, see me/No/That the heart that is painted black, black, black/Is not mine/But it's yours».
«I have always been looked at differently by men, they saw me as a beautiful woman, a cliché that had nothing else to give but her own body - declares Cristina. Today, I have won my battle and I am here to prove and to shout to all other women not to ever let themselves be discouraged, to walk with their heads held high, to follow their passions, to always be proud of themselves. To love their body just like their soul, their heart. And above all, to never feel alone because together we are a force- continues Cristina. I would like my music to be for all women».
The musicality of Cristina Lizzul ranges from rap to high-pitched trills that only a voice like Cristina's can maintain.
From the vulnerability and pain of «Ragazza Facile» to the revenge and then the revenge of «Devozione Avvelenata», to the sensuality and passion of «Iliade», to the comedy of the brazen rap of «O’Diss», to the romance of «Amore» to the power and strength of «Resterò», and the personal confessions in«Pazienza e la Virtu' dei Forti».
Cristina in this album reappropriates herself and on the wave of echoes with strong emotional tones and a trap beat to scare, she presents herself to the general public.